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Barmak’s Opium War: Readied for Cannes

I’ll be offering my early bird predictions for the films slated for the upcoming 08′ edition of the Cannes film festival shortly, but here is a sure bet for one film that is well positioned to make a trip to the croisette.

Circa 2003, the Director’s Fortnight saw a stunning portrait from Afghan director Siddiq Barmak. Osama would claim three prizes at the fest, collect a Golden Globe win, it was especially well received by critics and elicited this response from me “…Barmak’s unflinching docu-drama depiction of the frightening Taliban terror is a
traumatizing watch-but a necessary one. Filmed with the country’s only 35mm
camera at a total cost of the price of used Volvo…
“.

Listed as a project currently in post-prod, Barmak’s  Opium War tells the story of a U.S. chopper that crashes in an Afghan desert, leaving a white officer and a black soldier encounter a local family living in deserted Russian tanks. 

Here is the first look at the production poster one sheet.

Siddiq Barmak Opium War

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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