Monthly Archives: March, 2012

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The Raid: Redemption | Review

Slaughterhouse Orchestra: Gareth Evans Offers Full Course Action Meal There’s nothing innately wrong with a one trick pony, and kudos to the film that knows...

The Deep Blue Sea | Review

Terence Davies’ post-war love affair just lies there Writer-director Terence Davies yearns to orchestrate a swelling reverie of doomed love in the post-war British romance...

Blancanieves | Review

Blanca Y Negro: Berger’s Sensational Snow White Adaptation May Be One of the Greatest Ever Don’t close the casket of Snow White’s coffin just yet,...

4:44 Last Day On Earth | Review

Forget the hype: Ferrara’s end-of-the-world reverie puts other apocalypse movies to shame The countdown to the apocalypse becomes a celebratory wake in Abel Ferrara’s transcendent...

IFC Tags Grand Jury Prize Winner ‘Gimme the Loot’

Hot off the heels of a huge SXSW premiere and with a Grand Jury Prize win to boot, Adam Leon's feature debut has been...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

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