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Top 200 Most Anticipated Films for 2014: #21. Andrea Arnold’s Mag Crew

Mag Crew Director: Andrea Arnold Writer: Andrea Arnold Producers: Parts and Labor's Jay Van Hoy and Lars Knudsen U.S. Distributor: Focus Features Cast: None announced The brilliance in her stacked...

2012 Cannes Film Festival Jury: Helmers Andrea Arnold, Hiam Abbass, Alexander Payne and Raoul Peck Join Moretti

Five filmmakers in Alexander Payne, the Cannes loved Andrea Arnold, actress turned nouveau director Hiam Abbass (upcoming Inheritance, Jerusalem, I Love You) and Raoul Peck...

TIFF 2011 Buyer’s Club: #16. Andrea Arnold’s Wuthering Heights

Might be the version that doesn't sit well with fans - but those truly looking for a different variation (this begins with the chosen actor to play Heathcliff) might just get what they've asked for. Should go for 7 figures, should be critically lauded and should once again prove that art-house can totally redefine the classics.

2011 Venice Int. Film Festival: Steve McQueen, Yorgos Lanthimos, Eran Kolirin and Andrea Arnold Among 20 Vying For Golden Lion

Today's announcement for the 2011 Venice Film Festival lineup basically crosses off plenty of sure bets we had been anticipating and makes us circle a bunch of titles we thought had a chance for a 2011 showing but now become hot items for the 2012 campaign. Films such as Juan Diego Solanas' Upside Down, Rodrigo Cortés' Red Lights, Pen-ek Ratanaruang's Headshot, Brillante Mendoza's Prey look more and more like Cannes 2012 items, while acquisition titles such as Antonio Campos' Simon Killer and Nick Cassavetes' Yellow wouldn't be out of place for a Sundance showing.

Top 100 Most Anticipated Films of 2011: Andrea Arnold’s Wuthering Heights

We're huge fans of Arnold's Fish Tank and her short film work (especially Wasp), and we look forward in seeing how she can add the funk to a tiresome old classic. With her trusted right-hand man in cinematographer Robbie Ryan and a ballsy casting decision move of picking up a non-actor lead for the role of Heathcliff -- demonstrates she's still shooting from the hip. Add this to the Arnold aesthetic which is soaked in a realism, this might become a contempo classic and carry more weight now that this critic appreciates.

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