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Music | Review

Oedipus Shrugged: Schanelec Finds Tragedy is the Song That Doesn’t End There’s little use clinging to the description of Angela Schanelec’s latest film Music as...

2023 TIFF: Radu Jude, Denis Côté, Kleber Mendonça Filho & Phạm Thiên An Cement Wavelengths

And now we can officially state that the TIFF selections are now complete with the Wavelengths programme being unveiled. A mix of Berlin, Cannes...

2023 NYFF: Haigh, Hamaguchi, Lanthimos, Triet, Glazer and Annie Baker in Main Slate

We were scratching our heads on where films such as Andrew Haigh's (retitled) All of Us Strangers and the under-the-radar A24 film by Annie...

Loose Pages: Sideshow and Janus Films Scoop up Petzold’s “Afire”

After landing Lila Avilés’ Tótem, Sideshow and Janus Films returned to the same Berlinale competition well and scooped up their second title in just...

2022 Cannes Film Festival Predictions – 24 Palme d’Or Hopefuls

We've looked at the non-competing sections (10 predictions). We've visited (20 predictions) the possible Critics' Week programme. We explored (20 predictions) options for the...

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Hot Milk | Review

The Eternal Daughter: Lenkiewicz Ladles the Milk of Sorrows Screenwriter...

Interview: Ariane Labed – September Says

A pivotal figure in the Greek Weird Wave, Ariane...

Interview: Jessica Palud – Being Maria

In 2018, political journalist and writer Vanessa Schneider released...

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