The Brave One: Roach Recapitulates Black List Era Hollywood
Examining the past from the safer perspective of our more enlightened period, Jay Roach’s Trumbo is...
Next week is when hopeful screenwriters who've had one of their scripts circulate the respective production houses are hoping that their screenplay gets a couple of extra bites. Now in it's sixth year, it'll also be a time when curious onlookers such as film executives, development people, agents and hardcore cinephiles take a gather at a list that emphasizes quality and original writing. blcklst.com has been all spruced up for the occasion --- so you should definitely check back there to see what 2010 will reveal -- and if you're like us and like to revisit Best of Lists of the previous years. Last year over 300 executives contributed their opinion to make up a Black List that had a Muppet Movie (not the Jason Segel project) in the number one spot and The Social Network at number 2.
What I like most about the annual Black List is that there isn't any favoritism according to the projected financial size of a screenplay. For fun, you could scan down any list since its inception and you'll find equal parts indie/Sundace/small budget and studio/multiplex/limitless budgets. If you look at the price tag for 2007's top screenplay (Recount) and say picks #14 and #15 which have a budget that range somewhere between 50 to 100 times more.