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2020 Sundance Film Festival: Miranda July, Julie Taymor, Dee Rees & Sean Durkin in the Premieres Section

The most acquisitions and distributor launch-pad friendly section of the festival, the Premieres category had some big ticket items in Nisha Ganatra's Late Night,...

2020 Sundance Film Festival Predictions: Jérémie Guez, Sophie Dupuis, Eugene Ashe, Michael Almereyda, Alan Ball

Son of the South Spike Lee's longtime film editor Barry Alexander Brown has been in the director's chair on more than one occasion, but this...

Shelter | Review

A Hard Knock Life: Bettany’s Naive Debut Exudes Good Intentions Actor Paul Bettany makes his directorial debut with Shelter, meant to be a glimpse into...

Avengers: Age of Ultron | Review

The Wrath of Bland: Whedon’s Poo Poo Platter Continues Mainstream event cinema continues to shackle box office glory and narrative familiarity to a creative deathbed...

Olivia Cooke is Turning Tricks in Wayne Roberts’ “Katie Says Goodbye”

She's among the fresh faced talents that will have spilled over into the mainstream/indiestream after an attention grabbing perf at Sundance '15 with Me and...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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