Amir Ganjavie

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Amir Ganjavie, a Ph.D. in communication and culture, is a Toronto-based writer, cultural citric, festival director, community activist and filmmaker. Fascinated by the issue of alternative and utopian space in modern urban settings and cinema, Amir has published several articles on utopia and two books, one on utopia (Le rôle de la pensée utopique dans l’aménagement des villes de demain) and the other on walkable neighbourhoods (Pour une ville qui marche). He has recently co-edited two special volumes on Iranian cinema for film International and Asian Cinema and edited a Humanities of the Other: An essay collection on the Dardanne Brothers (in Persian). Aside from academia, he writes for MovieMaker, Filmint, Mubi, Senses of Cinema, Offscreen and Brightlight. Amir is very active in the community. He serves as the CEO of CineIran Festival and Phoenix Cultural Centre of Toronto. He is also the founding member of NaMaNa Cinema. He has recently directed/produced a long feature film in Canada, named Pendulum. His top 2 theatrical release for 2017: Ildikó Enyedi's On Body and Soul and Michel Hazanavicius's Redoubtable.

Exclusive articles:

Interview: Andréa Bescond & Eric Metayer – Little Tickles (Les chatouilles) | 2018 Cannes Film Festival

A creative collaboration that began in 2009 when Eric Métayer directed Andréa Bescond in her stage debut, the association proved fruitful as the pairing...

Interview: Nicolas Champeaux & Gilles Porte – The State Against Mandela And The Others | 2018 Cannes Film Festival

French-based docu filmmaker Gilles Porte (When the Sea Rises) teams with journalist Nicolas Champeaux to examine the landmark Rivonia Trial of 1963-64 in The...

Interview: Irina Starshenbaum – Kirill Serebrennikov’s Leto | 2018 Cannes Film Festival

Two years after premiering an overtly political film in The Student (Un Certain Regard 2016), the gifted Russian filmmaker Kirill Serebrennikov returns to the...

Interview: Meryem Benm’Barek – Sofia | 2018 Cannes Film Festival

By way of the young, unmarried Moroccan titular protagonist, Meryem Benm'Barek cuts her teeth with a piece that looks at the unwanted pregnancy under the...

Interview: Adilkhan Yerzhanov – The Gentle Indifference of the World

His sixth feature film in almost as many years, and second trip to the Croisette following in the footsteps of The Owners (2014), Kazakh...

Breaking

La cocina | Review

Soap Kitchen: Ruizpalacios Underwhelms & Over Bakes Food Drama Making...

Bonjour Tristesse | Review

Lifestyles of the Rich, Conflicted & Coddled: Dull Vacation...
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