Amir Ganjavie

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Amir Ganjavie, a Ph.D. in communication and culture, is a Toronto-based writer, cultural citric, festival director, community activist and filmmaker. Fascinated by the issue of alternative and utopian space in modern urban settings and cinema, Amir has published several articles on utopia and two books, one on utopia (Le rôle de la pensée utopique dans l’aménagement des villes de demain) and the other on walkable neighbourhoods (Pour une ville qui marche). He has recently co-edited two special volumes on Iranian cinema for film International and Asian Cinema and edited a Humanities of the Other: An essay collection on the Dardanne Brothers (in Persian). Aside from academia, he writes for MovieMaker, Filmint, Mubi, Senses of Cinema, Offscreen and Brightlight. Amir is very active in the community. He serves as the CEO of CineIran Festival and Phoenix Cultural Centre of Toronto. He is also the founding member of NaMaNa Cinema. He has recently directed/produced a long feature film in Canada, named Pendulum. His top 2 theatrical release for 2017: Ildikó Enyedi's On Body and Soul and Michel Hazanavicius's Redoubtable.

Exclusive articles:

Interview: Lukas Dhont – Girl | 2018 Cannes Film Festival

In the same year that the Best Foreign Language Film Oscar winner A Fantastic Woman visited themes of identity and transition, Lukas Dhont's directorial...

Victor Polster – Lukas Dhont’s Girl | 2018 Cannes Film Festival

Lara is an adolescent committed to becoming a professional ballerina and with the support of her father, she sees no limits to her pursuing...

Interview: Philip Gröning – My Brother’s Name Is Robert and He Is an Idiot | 2018 Berlin Intl. Film Festival

Evoking narrative similarities to The Police Officer’s Wife (2013), Philip Gröning's seventh film, My Brother’s Name Is Robert and He Is an Idiot is a marathon...

Interview: Thomas Stuber – In the Aisle | 2018 Berlin Intl. Film Festival

Continuing with some of his lost souls interests found in his award-winning TIFF debut A Heavy Heart (2015), Thomas Stuber's sophomore feature film focuses on characters who...

Interview: Mani Haghighi – Pig | 2018 Berlin Intl. Film Festival

A thematic combination of his two last works A Dragon Arrives! (2016) and 50 Kilos of Sour Cherries (2016), Mani Haghighi's latest film follows the...

Breaking

Tropical Tapestry: Apichatpong Weerasethakul Won’t Shoot ‘The Fountains of Paradise’ before 2026

In an interview with Les Inrocks folks, Apichatpong Weerasethakul...