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Luca Guadagnino Shifts From Milan to the Mediterranean with ‘Corsica ’72’
Who better to film a 70's love triangle in a sun-splashed Italian village than a director who painted romance and tragedy in vibrant Visconti-esque like hues with I Am Love. So Ruby Films producers Alison Owen and Paul Trijbits have decided to go all "Italian" with their mafia thriller, setting up Luca Guadagnino with Corsica '72.
The Black List Update: Picks 10 to 6 of 2006
Among some of the noteworthy items on the 2006 Black List that received the least number of votes (or wasn't read by enough prod co. insiders) we find Martin McDonagh's In Bruges which received 7 votes and picking up a pair of votes we have: Lewis Colick's The Fighter which I imagine is the same project as the one that is receiving it's Oscar bid release next week --- it has gone through many rewrites and writers. We also have the first screenplay version for Life of Pi which was penned by Jean-Pierre Jeunet & Guillame Laurent, Peter Morgan's Frost/Nixon which I imagine not many folks had the chance to read and Ron Harwood's Diving Bell & The Butterfly.
Ry Russo-Young
After I did the first interview with Stella as Shelly Brown, I went home and examined the footage. She was a fractured character so it made sense to divide the ways in which we see her, to fragment these pieces like a mosaic.
Sundance 2011 World Cinema Dramatic Competition: John Michael McDonagh and Paddy Considine Part of 13 Selected Films
Among this year’s 13 selected (from 1073 - that's about one film for every 100 submitted) international narrative feature submissions, we find one title that is high up on our must see list in Paddy Considine's directing debut entitled Tyrannosaur. Last year we had Animal Kingdom ranked in the same spot. Here are the other 12 from pretty much all over the world.
Sundance 2011 World Cinema Documentary Competition: James Marsh and Asif Kapadia Among 12 Selected
The section I normally avoid not because I don't want to see all 12 selected films, but because there are only so many hours in a day will house a pair of docus films that I'm looking forward in seeing. One is directed by Oscar-winning director James Marsh (Man on Wire) and pertains to a subject thatis close to my heart - Project Nim might make just make a powerful statement about the grave mistake we humans make in not identifying ourselves with the non-human species. In Senna, the other docu of interest is from an already establish filmmaker in Asif Kapadia who takes us for a spin with car racing legend Ayrton Senna.
