Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Pics of Lou Ye’s Love and Bruises with Tahar Rahim and Corinne Yam

Among the films pegged for next year's Cannes is the already completed Love and Bruises. We collected some stills of Lou Ye's film which began filming three weeks after winning Best Actor and Best New Actor at the French Oscars for his role in A Prophet and ended in May.

Kino Becomes Main Passenger for Sergei Loznitsa’s My Joy

I'm glad to see that Kino Int. and film fest curators are seconding my opinion on My Joy - the road trip story from hell -- I recently wrote, I'm happy to see TIFF and NYFF programmers include this difficult film among their lineups, cuz if you like "the road less traveled" roadtrip type of movie, then you'll want to venture into documentarian Sergei Loznitsa's first narrative feature.

Magnet Draws First Blood for ’13 Assassins’

Dubbed as one of Takashi Miike’s best pic in years, Magnet Releasing have made the type of pick-up that demonstrates that it's perhaps the healthiest genre label in the U.S. market (theatrical, fantasy festivals, VOD) on the fantasy genre type film front. Magnet is setting the Venice and TIFF preemed Miike’s 13 Assassins for a first quarter of 2011 release and are placing it as the Closing Night film at this year’s Fantastic Fest in Austin.

Lorber Films Set ‘Tuesday, After Christmas’ Well After Christmas

On the eve of it's North American NYFF premiere, Lorber Films have scooped up the rights to Tuesday, After Christmas, and are setting it up with a May release (at the Film Forum). For those who might be wondering why the portrait is showing in May, and say, not December, is because the Cannes-selected film isn't a holiday-themed picture but instead, a marriage drama.

National Geographic Makes ‘The First Grader’ Teacher’s Pet

National Geographic Ent have made what could pan out to be an extremely smart pick-up in Justin Chadwick’s The First Grader -- a sappy, button-pushing, tug at the heart, feel-good drama based on a true story that actually placed 2nd for the Toronto Int. Film Festival's “People’s Choice Award”.

Breaking

Total Eclipse of the Art: Markus Schleinzer Sets Christian Friedel as ‘Klaus’ Nomi

Fresh off the acclaimed Berlinale premiere of his third...

No Disappearing Act Here: Kino Lorber Locates Manuela Martelli’s ‘The Meltdown’

Following its Un Certain Regard premiere at Cannes, Manuela...

Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...
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