Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Review: I’m Still Here

Best exemplified with Phoenix's studio meeting with Sean Combs, the feeling of inauthenticity chokes the film down into a less than basic interest level submission, and the film's climax, which pointlessly rehashes the infamous date on Late Show's David Letterman will only feel like a case of deja-vu.

I’m Still Here | Review

Comes with His Own Soundtrack: Phoenix Unplugged is as Awful as His Hip Hop.

Randomness: Pics of Béatrice Dalle and Emmanuelle Béart in Bye Bye Blondie

Filming for Virginie Despentes' Bye Bye Blondie took place over the summer and we finally have some production/set pics gathered from the interwebs (here & here) on a punk, lesbian film we expect to see rocking the Croisette next May.

Alternative TIFF 2010 Picks: #25. Richard Ayoade’s Submarine

Those that follow everything Brit television know who Ayoade is ... and for those who've got no clue can take a gather at the cast and the notion that this may turn out to be the British version of Rushmore.

Alternative TIFF 2010 Picks: #24. Aleksei Fedorchenko’s Silent Souls

Silent Souls is leaving Venice with plenty of positive buzz and will then make its way to NYFF. This is Aleksei Fedorchenko's third film and I know nothing about the filmmaker or the film -- but this sounds like a good festival ticket gamble.

Breaking

Total Eclipse of the Art: Markus Schleinzer Sets Christian Friedel as ‘Klaus’ Nomi

Fresh off the acclaimed Berlinale premiere of his third...

No Disappearing Act Here: Kino Lorber Locates Manuela Martelli’s ‘The Meltdown’

Following its Un Certain Regard premiere at Cannes, Manuela...

Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...
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