Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

TIFF 2010 Buyer’s Club: #12. Abe Sylvia’s Dirty Girl

Essentially this is Juno Temple's first time as top billing in a film, she is the next "it" actress if you look into 2011, and from what we can tell by the descriptive info we can assess from the film stills, and the fact that this was mentioned on the annual Black List (2007), means there is some spunk to this title and could work with a larger younger demo.

TIFF 2010 Buyer’s Club: #13. Mitch Glazer’s Passion Play

Unconventional love story could either fly or fizzle, one thing is for sure - love stories that are lensed by Christopher Doyle always look great. Will receive a number of bids, but this could receive generous offer from one suitor who believes in the project.

TIFF 2010 Buyer’s Club: #14. David Schwimmer’s Trust

The internet predator/father feeling the guilt for not protecting his family already comes across as a dated story line, but if this digs deep enough into entire mental anguish,and the Clive Own and Catherine Keener pairing pull off strong perfs, then perhaps there'll be a market for this.

TIFF 2010 Buyer’s Club: #15. Max Winkler’s Ceremony

Thurman might be more "miss" than "hit" as of late, but if the boyish crush a la The Graduate hits the right notes, this could be TIFF's version of a Sundance hit.

TIFF 2010 Buyer’s Club: #16. Brad Anderson’s Vanishing on 7th Street

A good indication of how this film can perform is by looking at this weekend's Takers numbers - Christensen and the horror element are the film's selling points, plus Anderson has a small fan base and has seen all of his films get a release.

Breaking

Club Kid | Review

Interview: Jordan Firstman – Club Kid

I first took notice of Jordan Firstman through his...

Interview: Sandra Wollner – Everytime

One of the discoveries of this year's Cannes Film...

Wild Horse Nine | Review

They Shoot Agents, Don’t They?: McDonagh Morosely Reflects a...

Interview: Stéphane Brizé – A Good Little Soldier

From The Measure of a Man and At War...
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