Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Cannes 2010 Predictions (Sidebars): Marchand, Villeneuve, Veiroj, Araki and Doillon

In many ways, Cannes' parallel sidebars (Director's Fortnight, Critic's Week and I'm including Un Certain Regard here) are the hardest sections to forecast - the high volume of films from all corner of the globe and the actual number of available slots makes it perhaps more difficult to predict than the actual Main Competition predictions..

10 Reasons to Visit the Multiplex: Oscar Nominated Live Action & Animated Short Films

How many office Oscar pools are won by the wise ass who happens to know the competition in the often neglected short film categories? This year's winner could be you, but all joking aside, Magnolia Pictures has, for the past five years, made watching Oscar nominated short films in both the animated and live action categories easier than pie.

SPC Traps David Michod’s ‘Animal Kingdom’

Sony Pictures Classics have finally made a Sundance pick-up - and let me tell you, they've pretty much landed themselves a masterwork in David Michôd's debut -- and trust me, I don't use a word like masterwork lightly. Animal Kingdom was perhaps the biggest title that had yet to find a high bidder, and almost one month to the date that it premiered in Park City's Egyptian theater, SPC have grabbed the all US and Latin American rights to the pic.

Cannes 2010 Predictions (Competition Films): Loach, Tarr, Allen, Malick and Sofia Coppola

It's always fun to guess how the jury might end up voting and whether the head of juror will indeed sway the final vote. Last year The White Ribbon won and the wave of reactions obviously pointed to Huppert and Haneke's well-known rapport. The previous year, Sean Penn gave the Palme d'Or to The Class, not a politically-themed picture, but a social drama that represents a common pandemic. This year we have Tim Burton as the master of ceremonies -- knowing him he has a taste for noir and fantasy.

Moverman in Hollywood’s Utero

Come to think of it, Ben Foster not only has a beach blond fro, but he could have the same temperament that Cobain had. If you happen to see Foster switch from an army buzz cut to something a tad bit longer then you could begin the rumor mill -- as Universal is looking to hire Oren Moverman to rework the draft that David Benioff filed in three years back.

Breaking

Club Kid | Review

Interview: Jordan Firstman – Club Kid

I first took notice of Jordan Firstman through his...

Interview: Sandra Wollner – Everytime

One of the discoveries of this year's Cannes Film...

Wild Horse Nine | Review

They Shoot Agents, Don’t They?: McDonagh Morosely Reflects a...

Interview: Stéphane Brizé – A Good Little Soldier

From The Measure of a Man and At War...
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