Eric Lavallée

In only a pair of outings, Kim has confirmed her presence as an indie filmmaker worthy of future auteurist theories -- her type of cinema, minimalist and miniscule triage dramas, reach for the highest levels of intimacy and with an isolated and an emotionally distraught Paul Dano, I'm expecting her to take up more room on the scene than her previous two combined. Seek out her films: In Between Days and Treeless Mountain.

Regardless if Woody in the past couple of decades was a hit (Sweet and Lowdown, Vicky Cristina Barcelona) & miss (Celebrity , Whatever Works), in my books his constant musings on the human relationships are more often than not, a treat. Ensemble cast headed by Naomi Watts should provide for a full, five-course meal.

I caught Neil Jordan's Ondine at the Toronto Int.Film Festival last September, and the first after-thought I had was, this'll be a tough sell. Not that the fabric of the film is off-putting -- you have your male lead in Colin Farrell, that I think people are generally interested in watching, but then you have a Sigur Ros singing mermaid, a divorced parent subplot with a spirited child years beyond her age stuck in a wheel chair (there is a resemblance to Hayao Miyazaki's Ponyo) and you have antagonistic forces in the presence of a pair of thugs plotting their presence in a picturesque village that awkwardly don't measure up.

It's hard enough making an indie film, even more difficult to make an indie film in a country that doesn't have the infrastructure for filmmaking period. I imagine that the screenplay about a human connection between two people via a landscape that is foreign to them may be hold something special since it was workshopped and supported by Sundance, Tribeca and Cannes.

I've been imagining Moretti play a shrink to the Pope ever since this project was announced. Never one to mince words, I appreciate his political sense of humor and matter of fact dialogue.