Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Sundance 2010 Spotlight: Sundance Showcases Cannes, TIFF and Venice

The Spotlight section (replacing the awkward Spectrum sidebar) is a place where the festival will showcase some great finds on the festival circuit. And let me tell you, there is some great stuff here especially with TIFF/Venice titles such as I am Love, Lourdes, Mother & Child, A Prophet and Women Without Men.

Sundance 2010 Premieres: Diego Luna, John Wells, Winterbottom, Holofcener

Tons of Park City alumni are bringing their latest films, but I'm a bit surprised that March-pegged releases of The Weinstein's All Good Things and Focus Features' Greenberg aren't getting a Park City push. Instead, as expected, Sony Pictures Classics will show up and they get to showcase Get Low and A Prophet (Spotlight section) once again, and they'll preem Holofcener's Please Give. Overture will introduce Philip Seymour Hoffman's directing debut (Jack Goes Boating) and Fox Searchlight will preem Duplass Bros.' untitled comedy, which I'm calling Center of Attention - because its a great title considering the subject matter.

Sundance 2010 NEXT: Move Over SXSW

The lucky inaugural eight include: Habib Azar's Armless, Linas Philips's Bass Ackwards, Sultan Sharrief's Bilal’s Stand, Katie Aselton's The Freebie, Barnes Bros' Homewrecker, Adam Bowers's New Low, Michael Mohan's One Too Many Mornings and Eyad Zahra's The Taqwacores - which has nothing to do with the docu film Taqwacore: The Birth of Punk Islam: (same subject, different film).

PTA Chooses Philip Seymour Hoffman as his ‘Master’

I guess we're moving forward in time with the whole "I am a false prophet. God is a superstition" discourse. Paul Thomas Anderson must have liked Philip Seymour Hoffman take on the priesthood in Doubt, as he is putting his faith in him. Universal studios would be doing the same with a 35 million dollar faith based, period drama probably not of the Kirk Cameron kind, and despite the similarities in choice of year circa 1952, probably not the Jimmy Jones kind either.

2010 Sundance Film Festival: Extra Tidbits on the U.S Dramatic Competition Selections

As we wait for tomorrow's selections in the non-competitive categories, I figured I'd further explore/familiarize myself with the sixteen titles (Blue Valentine, Douchebag, The Dry Land, Happythankyoumoreplease, Hesher, Holy Rollers, Howl, The Imperialists Are Still Alive!, Lovers of Hate, Night Catches Us, Obselidia, Skateland, Sympathy for Delicious, 3 Backyards, Welcome to the Rileys and Winter's Bone) selected for the U.S Dramatic Competition.

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