Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

2025 Oscars Best International Film Race: Frontrunners Jacques Audiard, Walter Salles & Maura Delpero Added to Mix

Recent submissions for Best International Feature Film at the 97th Academy Awards are quickly piling up. Jordan has entered My Sweet Land (Sheffield DocFest),...

Interview: Bernardo Britto – Omni Loop

One of the projects at the Sundance Institute’s 2017 Screenwriters Lab was a film called 'Omni Loop Blues.' Flash forward into 2024 and Bernardo...

Day Moves: Josh O’Connor Toplines Kelly Reichardt’s ‘The Mastermind’

Keeping up with her pattern of releasing a film roughly every three years, Kelly Reichardt’s next project, The Mastermind, is one extra America indie...

Interview: Damien Chazelle – Whiplash

Whiplash receives a 10th Anniversary re-release - reissued with a new 4K DCP via Sony Pictures Classics and coming directly from a showcase at...

Exclusive Clip: Painted Birds in Elfar Adalsteins’ ‘Summerlight… and Then Comes the Night’

For his sophomore feature film, Icelandic filmmaker Elfar Adalsteins adapts from Icelandic author Jon Kalman Stefansson's novel. This comes after 2019's End of Sentence...

Breaking

Digger | Review

Interview: Arthur Harari – The Unknown

Three features in, Arthur Harari might be one of...

Primetime | Review

The Catcher in the Sty: Oppenheim Skewers Hack Journalist It’s...

Interview: Producer Ryan Martin Brown – The Scout

While countless films have delved into filmmaking, viewing it...
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