Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Brokeback’s Jake Gyllenhaal and Hathaway find ‘Love & Other Drugs’

Big industry have been profiled in film with tobacco, oil and the automobile, but pharmaceutical hasn't been served up as of late. That might change, as Production Weekly reports that Brokeback Mountain's Jake Gyllenhaal & Anne Hathaway are re-teaming on "Love & Other Drugs".

Lionsgate asks Padilha to Stay ‘in Place’

It didn't take long for the filmmaker behind the brilliant 2002 documentary film Bus 174 and the Golden Bear winning Elite Squad to follow the beckon call from the promised land called Hollywood. Jose Padilha hasn't even starting lensing his first English language film and yet he has managed to sign up for four projects including today's mention.

Samuel Goldwyn Leave ‘Untitled’ project for the Fall

Screen Daily reports that Samuel Goldwyn Films have picked up the rights to Untitled and have already slotted a September playdate for the film.

Boyle Hasn’t ‘Lost’ Interest in India

Screen Daily reports that Boyle has picked up the rights to author Suketu Mehta’s novel Maximum City: Bombay Lost and Found but details are thin on whether this will actually be his next project.

Poster Exclusive: Youssou Ndour: I Bring What I Love

Those expecting a straight shooting documentary film where concert footage is the predominant characteristic might be terribly disappointed by Youssou Ndour: I Bring What I Love. I've managed to miss the film festival audience award winning doc at last year's TIFF but from what I gather, Elizabeth Chai Vasarhelyi's intimate look at the renowned pop singer from Senegal happens to be a testament to how one person's faith and artistic output (his Grammy winning 2004 album "Egypt") manages to be “embraced by Western audiences but ignited serious religious controversy in his homeland”.

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