Eric Lavallée

9267 POSTS
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Focus Features ties Fukunaga down for next 2

Focus Features will get first dibs on the filmmaker make him write a project that will be nothing close to Sin Nombre, and then the parent company (Universal) will have Fukunaga embark on another project.

Sundance Journal 2009 Day 9: Lee Daniel’s Push: Based on a Novel by Sapphire

The punishing look into incest, mental, physical, emotional abuse brought the house down and the reason why it is such a crowd pleaser is because of the film's heroine in first time actress (see pic) Gabourey 'Gabby' Sidibe.

Sundance Journal 2009 Day 8: Robert Siegel’s Big Fan

For me Big Fan is the culmination of my viewing experiences of the past week: original film ideas that overall works in several areas.

Sundance Journal 2009 Day 7: Cruz Angeles’ Don’t Let Me Drown

When Hollywood and indie film started tackling 9/11, for the most part, these films' integrated characters into a story-line, you get a sense that it is the other way around with Cruz Angeles' drama/coming-of-age portrait where the characters have a backstory and where the backdrop and the aftermath are found in daily reminders by a thoughtless comment or an overhead plane appearing to be too close to the ground.

Sundance Journal 2009 Day 7: Nicolas Winding Refn’s Bronson

When fleshing out the script for Bronson, Nicolas Winding Refn didn't have much to go on – the subject of the film has been in solitary confinement for the better part of his adult life and yet, the Danish filmmaker somehow managed to take a thin on plot biopic and fancy a style that uses fantasy to explore the missing pieces and the mindset of a man who finds extreme pleasure in extreme pain.

Breaking

Her Private Hell | Review

What Have They Done to Your Daughters?: Refn Returns...

Sheep in the Box | Review

I’m a Cyborg, But That’s OK: Koreeda Explores Cruise...

A Sad and Beautiful World | Review

No Man is an Island: Aris Explores Childhood, Couplehood...

Rosebush Pruning | Review

The Killing of a Sacred Dogtooth: Ainouz Paints with...
spot_imgspot_img