Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Tears of the Black Tiger | DVD Review

Just when you thought that the spaghetti western horse was finally shot, enter writer/director Wisit Sasanatieng, riding high in the saddle to revise the old style with 'Fah talai jone – Tears of the Black Tiger'. The Thai film was an instant cult hit, riding into the market like Shanghai Noon on acid. Sasanatieng shows homage to the greats that came before him with the flair of Leone and the violence of Raimi.

Review: Away From Her

"...should find audiences based on the strength of Christie’s performance and on the film’s honest approach."

BOF: 2007 Tribeca film festival

In 2002, the Tribeca Film Institute successfully launched the First Annual Tribeca Film Festival. Created by Jane Rosenthal and Robert De Niro, the mission of the Tribeca Film Festival is to enable the international film community and the general public to experience the power of film by redefining the film festival experience.

Away From Her | Review

Please Don’t Go

Clooney’s Smoke House headed to ‘Tehran’

It manifests itself in the projects he is attached to (most of the time as writer and/or director) – whether the issue is foreign...

Breaking

La bola negra | Review

The Play’s the Thing: Ambrossi & Calvo Connect the...

A Long Winter | 2026 London BFI Film Festival Review

A Gentle Thaw: Haigh’s Measured Drama is Glacial but...

Animol | 2026 London BFI Film Festival Review

Mismanaged Masculinity: Walters’ Gritty Debut Lacks Impactful Style Over...

Artificial | 2026 London BFI Film Festival Review

The End of The World as we Know it:...
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