Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

2022 Cannes Film Festival Predictions – Directors’ Fortnight

Last month we learned that the upcoming 2022 edition of Directors' Fortnight (aka Quinzaine) taking place between May 18th to the 27th will be...

2022 Cannes Film Festival Predictions – Critics’ Week

There have been some past editions that have been French/Euro heavy, but for the most part, the programme Critics' Week (Semaine de la Critique)...

2022 Cannes Film Festival Predictions – Out of Comp, Midnight & Special Screenings

The 75th edition of the Cannes Film Festival begins in just over two months from now and we can still feel the effects of...

Interview: Christopher Makoto Yogi – I Was a Simple Man | 2015 January Screenwriters Lab

Having just held the world premiere to August at Akiko in Rotterdam, Christopher Makoto Yogi has a slate full of feature film projects including...

Kiersey Clemons & Leon Bridges Say I Do to Tayarisha Poe’s “The Young Wife”

American indie helmer Tayarisha Poe is moving from school courtyards of Selah And The Spades to the courting period before officially tying the knot...

Breaking

IONCINEPHILE of the Month: Lucia Aleñar Iglesias (Forastera)

IONCINEMA.com’s IONCINEPHILE of the Month highlights an emerging talent...

Only the Lonely: Ulrich Seidl Travels to Dark Tourism Places with ‘Distances’

The folks art Cineuropa are giving us a major...

History Repeating Itself: Magnus von Horn Train Hops with Jeremy Strong in ‘The Passenger’

Hopefully at some point it'll lose the over-used, generic...
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