Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Richard Gere is Living in the Past in Andrew Renzi’s Feature Debut; Sundance Lab “Franny” Shoots in October

He has been on our radar since he produced Alistair Banks Griffin’s Two Gates of Sleep (2010) and mounted his writing-directing projects in the...

The Perfect Storm; Zeitgeist Reteams with Docu Pair for Telluride’s Murder Mystery

Among the unexpected title mentions in today's highly anticipated Telluride line-up unveiling, Ballets Russes docu pairing Dayna Goldfine and Dan Geller will reteam with indie...

See Tim Sutton’s Memphis; The Venice Film Festival Directly at Your Door

I've yet to find myself on the Lido (at the top of my bucket list choices for film festivals I've yet to visit) but...

Roadside Attractions Becomes Kissing Cousin for “Therese”, Stratton’s Pic Finally Receives Support

Regardless if it contains the red-hot Martha Marcy May Marlene alumn Elizabeth Olsen and the months away from a potential Best Actor nom lock...

Strand Take “Refuge” in Jessica Goldberg’s Play to Film Debut

Someone at Strand Releasing's home vid dept will have a minor "pickle" of a situation when it comes to indexing their library, as the...

Breaking

Resurrection | Review

In Dreams: Gan Explores a Century of the Cinematic...

Interview: Annemarie Jacir – Palestine 36

With her sweeping and ambitious fourth feature, Palestine 36,...

Little Trouble Girls | Review

Circles of Perfection: Djukić Surveys the Compromises of Sexual...

La grazia | Review

The Long Goodbye: Sorrentino Returns to Familiar Remembrances of...
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