Jordan M. Smith

342 POSTS

Exclusive articles:

Song from the Forest | 2014 SXSW Review

Obert Plays A Polyrhythmic Requiem of Cultural Sovereignty Director Michael Obert’s VPRO IDFA Award winning, SXSW imported Song from the Forest meditatively chronicles the aloof...

Ernest & Celestine | Review

Cute in Court: Bears and Mice Controversially Live In Harmony We are not for lack of anthropomorphized mice nor bears, from all the way back...

GKIDS Nab Another Ghibli with Takahata’s The Tale of the Princess Kaguya

It’s been far too long since legendary animator Isao Takahata sat at the helm of a feature length picture. Fourteen years since My Neighbors...

The Grand Budapest Hotel | Review

Anderson's Doll-House Noir Stuffed With Wisecracks and Woe Like Kubrick’s secluded Overlook Hotel, Wes Anderson’s Grand Budapest is a thing of decrepit majesty haunted by...

Particle Fever | Review

Supersymmetry Vs. Multiverse: Levinson's Doc A Non-Experiment Over three decades ago, the European Organization for Nuclear Research (CERN) began it’s initial steps toward constructing the...

Breaking

Titanic Ocean | 2026 Cannes Film Festival Review

Deep Sea, Baby: Kotzamani Goes Down Where It’s Wetter Greek...

2026 Cannes Critics’ Panel: Day 7 – Pedro Almodóvar’s ‘Bitter Christmas’

The only title to have had its world premiere...

Minotaur | 2026 Cannes Film Festival Review

The Cranes Aren’t Flying: Zvyagintsev Unleashes Primordial Tendencies “They always...

2026 Cannes Critics’ Panel: Day 7 – Andrey Zvyagintsev’s ‘Minotaur’

We nearly lost this master filmmaker during the Covid...
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