Exclusive articles:
Home Sweet Home | 2025 Berlin Intl. Film Festival Review
Sofie, Homemaker: Petersen Banks on Undervalued Emotional Labor
Danish director Frelle Petersen’s latest title Home Sweet Home (Hjem kaere hjem) aims to showcase the significant...
Das Licht | 2025 Berlin Intl. Film Festival Review
Wasting Electricity: Tykwer Illuminates a Narrative Void
Despite revealing itself to be an interconnected rumination on aspects of the soul, Tom Tykwer’s Das Licht (The...
Parthenope | Review
The Boring & Beautiful: Sorrentino’s Tone Deaf Portrait of a Lady
It’s unfortunate no one’s as likely to be infatuated with the eponymous Parthenope (pronounced...
Marcello Mio | Review
In the Name of the Father: Honore Pays Homage via Identity Crisis
“I only exist when I am working on a film,” Marcello Mastroianni...
Sabar Bonda (Cactus Pears) | 2025 Sundance Film Festival Review
Ripe Fruits: Kanawade Taps the Bittersweet Rind of Going Home Again
While there’s been an uptick in contemporary LGBTQ+ films from India over the past...
