Exclusive articles:
Best of the 2020 Berlinale: Hittman, Khrzhanovsky/Oertel & Gotardo/Dutra
Mohammad Rasoulof’s There Is No Evil landed the top prize (and once again landed the filmmaker in hot water as Iranian authorities aren't big...
Swallow | Review
On Body and Soul: Mirabella-Davis Gets Squeamish with Formidable Debut
As much as it speaks to contemporary understandings of female agency, Carlo Mirabella-Davis’ astute directorial...
The Whistlers | Review
If I Want to Whistle, I Whistle: Porumboiu Goes Mainstream with Neo-noir
Romanian New Wave alum Corneliu Porumboiu makes a marked departure with his latest...
Saint Frances | Review
Au Pair Affair: Thompson and O’Sullivan Present Warm Debut with Body Positive Dramedy
There’s much to be said for an authentic, well-calibrated scenario, whether or...
DAU. Natasha | 2020 Berlin Intl. Film Festival Review
The Russia House: Khrzhanovskiy & Oertel Arrive from Russia with Love
As far as the cinematic form has been concerned, there’s been nothing which courts...
