Exclusive articles:
The Substance | Review
Woman of Substance: Fargeat Rejuvenates Body Horror with Pulpy Parable
To borrow a succinct phrase from Beyonce, ‘pretty hurts,’ a sentiment quivering through Coraline Fargeat’s...
Pepe | Review
Cocaine Hippo: de Los Santos Arias Explores an Assassination
To say Pepe, the second narrative feature from Dominican director Nelson Carlos de Los Santos Arias,...
Nosferatu (2024) | Review
Basic Instincts: Eggers Taps Into the Bloodlust with Vampy Remake
It would seem there’s no one more fitting than Robert Eggers to mount a remake...
Vermiglio | Review
Baby Machines: Delpero Designs Tapestry of Women’s Miseries During WWII Italy
Despite the associations suggested by its title, Maura Delpero’s sophomore film Vermiglio is a...
Babygirl | Review
Fuck Like No One’s Watching: Reijn Delivers Prudent & Provocative Sexual Odyssey
“There is to my mind no doubt that the concept of beautiful had...
