Nicholas Bell

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Los Angeles based Nicholas Bell is IONCINEMA.com's Chief Film Critic and covers film festivals such as Sundance, Berlin, Cannes and TIFF. He is part of the critic groups on Rotten Tomatoes, The Los Angeles Film Critics Association (LAFCA), FIPRESCI, the Online Film Critics Society (OFCS) and GALECA. His top 3 for 2023: The Beast (Bonello) Poor Things (Lanthimos), Master Gardener (Schrader). He was a jury member at the 2019 Cleveland International Film Festival.

Exclusive articles:

Top 150 Most Anticipated Foreign Films of 2019: #28. Ema – Pablo Larrain

Ema Chilean director Pablo Larrain returns to Chile for his eighth feature, this time for his first contemporary set drama in his native country with...

Top 150 Most Anticipated Foreign Films of 2019: #29. Jeanne – Bruno Dumont

Jeanne The idiosyncratic French auteur Bruno Dumont finds himself in full sequel swing with Jeanne, a follow-up to his lauded 2017 musical Jeannette, the Childhood...

Top 150 Most Anticipated Foreign Films of 2019: #30. Radegund – Terrence Malick

Radegund Leave it to Terrence Malick to leave us interminably wondering when and where his next completed film will surface, and his latest, the German...

Top 150 Most Anticipated Foreign Films of 2019: #31. The Personal History of David Copperfield – Armando Iannucci

The Personal History of David Copperfield Celebrated satirist Armando Iannucci sets his sights on a sort-of contemporization of Charles Dickens for his third narrative feature...

Top 150 Most Anticipated Foreign Films of 2019: #32. The Traitor – Marco Bellocchio

The Traitor Italian auteur Marco Bellocchio, whose radical early works were a seminal part of 1960s and 1970s Italian cinema, embarks on his latest feature...

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2026 Cannes Critics’ Panel: Day 9 – Lukas Dhont’s ‘Coward’

From Belgium, Lukas Dhont makes his third trip to...

2026 Cannes Critics’ Panel: Day 9 – Javier Ambrossi & Javier Calvo’s ‘The Black Ball’

Virtual unknowns in non-Spanish speaking markets, Javier Ambrossi and...

2026 Cannes Critics’ Panel: Day 8 – Ira Sachs’ ‘The Man I Love’

He has been owning Sundance since he premiered 1996...

2026 Cannes Critics’ Panel: Day 8 – Emmanuel Marre’s ‘Notre Salut’

A relative newcomer to cinema with only the co-directed...
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