Exclusive articles:
Nagi Notes | 2026 Cannes Film Festival Review
Only the Lonely: Fukada Explores Constructions of Identity
Japanese auteur Kôji Fukada often favors narratives wherein tenuous but comfortable rhythms are suddenly upended by a...
La Vénus électrique (The Electric Kiss) | 2026 Cannes Film Festival Review
The Liar of Your Desire: Salvadori Sputters with Low Voltage Rom Com
To some, love might indeed mean never having to say you’re sorry, but...
Silent Friend | Review
Allegory of the Tree: Enyedi’s Masterful Meditation on Human Progress
The metaphorical subtexts germinating to fruition through Ildikó Enyedi’s Silent Friend are formidable, even as,...
Eagles of the Republic | Review
One Flew Over the Coup’s Nest: Saleh Muddles Through Propaganda Politics
“Propaganda, to be effective, must be believed. To be believed, it must be credible....
The Blue Trail (O último azul) | Review
Crimes of the Future: Mascaro Envisions Trouble Ahead
“Getting old ain’t no place for sissies,” a quote often attributed to Bette Davis (or similar variations...
