Exclusive articles:
Midnight’s Children | Review
Changeling Game: Mehta’s Latest a Stodgy, Swollen Adaptation
A fictional narrative that attempts to recuperate an impressive fifty year historical timeline concerning relations between...
Arthur Newman | Review
Hello, Newman: Ariola’s Meditation on Getting a Life Fails to Have One
For a film whose tagline aggressively demands, “If you don’t have a life,...
The Reluctant Fundamentalist | Review
Turn and Face the Strain: Nair’s Latest Adaptation a Return to Form
Citing the project as nearly five years in the making, Mira Nair’s adaptation...
Sun Don’t Shine | Review (AFI Film Fest)
Madlands: Seimetz’ Relationship Drama Takes Us on a Road Trip to Love Hell
Managing to balance an insanely busy schedule that boasts quality and quantity,...
Kuma | Review
Two’s Company: Dag’s Extraordinary Debut Perversely Compelling
Like Feo Aladag’s 2010 harrowing debut, When We Leave, Austrian-Kurdish director Umat Dag’s first film, Kuma, examines the...
