Exclusive articles:
Review: The Pact
McCarthy’s debut is evidence that short films are indeed an art form and, if successful, do not necessitate a feature length running time. In fact, the tightest elements abound in the first third of the film, which shares the narrative of the short. McCarthy certainly nails a decent creepy atmosphere in his first few frames, but this convoluted turkey quickly kills any genre frills it tries to master.
Review: Red Lights
"Recalling films like the 1935 Claude Rains’ starrer, The Clairvoyant or the underrated Séance On A Wet Afternoon, (and, strangely, maybe even a bit of De Palma’s The Fury, if only a Bernard Herrmann score could have accompanied the film), Cortes gives us an excessive amount of window dressing in its first half, only to pull the rug on us with one indefatigably head scratching conclusion. And this is what will either determine your reading of the film as convoluted or harebrained brilliant."
Review: Middle of Nowhere
"Director Ava DuVernay returns with her sophomore feature, Middle of Nowhere, less than a year after her awesome yet terribly unappreciated 2011 debut, I Will Follow, and also a film as equally nuanced about loss and love."
