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Loose Pages: Sideshow and Janus Films Scoop up Petzold’s “Afire”
March 2, 2023After landing Lila Avilés’ Tótem, Sideshow and Janus Films returned to the same Berlinale competition well...
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House Hold: Sideshow & Janus Films Move into Berlinale Fave “Tótem”
February 28, 2023Winner of the Ecumenical Jury Prize and easily among the top films at this year’s Berlinale,...
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Dea Kulumbegashvili’s “Those Who Find Me” & Alain Guiraudie’s “Miséricorde” Aiming for 2024
December 21, 2022Perhaps the last tidbit of foreign production support type news for ’22, we have some excellent...
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Scruff Stuff: Razor Sharp Ensemble for Di Giusto’s “La Rosalie”
November 28, 2022We had learned over the summer that Nadia Tereszkiewicz and Benoît Magimel were set to topline...
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T-minus 24: Jay Baruchel & Emily Hampshire Toplined Caitlin Cronenberg’s “Humane”
November 22, 2022Deets Caitlin Cronenberg’s directorial debut were scarce but we’re now in the know as production has just...
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Error Prone: Noée Abita Navigates Cruel World in Victoria Musiedlak’s “La vie sauvage”
November 16, 2022Production is due to begin next Monday on Victoria Musiedlak‘s feature debut and we’ve learned via...
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I’m Not There: Quentin Dupieux Enlists Collective for “Daaaaaali !”
November 8, 2022Anaïs Demoustier, Gilles Lellouche, Pierre Niney, Alain Chabat, Edouard Baer, Pio Marmaï, Jonathan Cohen, Hakim Jemili,...
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Deep Trails: Jonathan Millet Tracing Roadmap for “Les Fantômes”
November 7, 2022We are in the midst of getting ready for the offerings for 2023 and it’s usually...
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Oscilloscope Has Temper Tantrum for Carolina Cavalli’s “Amanda”
November 3, 2022A tonally quirky film with its defiant and eccentric like Max Fisher (from Rushmore) type character...
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Film Movement Shares a Ride with Erige Sehiri’s “Under The Fig Trees”
November 3, 2022A small gem from this year’s Director’s Fortnight has been gaining a lot of traction with...