All the Camera Allows: Spielberg Revisits Childhood in Semi-Autobiographical Portrait Evident in many of the titles...

Faraway, So Close: Nayfeh Showcases Absurdity’s Segue to Tragedy in Meaningful Debut The ongoing conflict between...

Donkey Skin: Skolimowski Restages Bresson for the Modern Age Robert Bresson’s 1966 film Au Hasard Balthazar...

Power Surge: Lelio Ponders power and the profound in his latest which attempts to grapple with...

A Human Voice: Wiseman Explores Catharsis and Suppression in Tranquil Soliloquy It’s no secret the Tolstoy...

Father Knows Best: Vigas Caps His Father/Son Trilogy with Blunt Brutality In his long-gestating follow-up to...

The Unexpected Virtue of Indulgence: Iñárritu Repeats Himself with Repetitive, Soulless Extravaganza “The pure and simple...

Thrill Crazy. Kill Crazy. God Crazy: Abbasi Tackles Brutal Reality of Women and Islamofascism “Every man...

It Could Happen To You: Nagy Recuperates the Resiliency of Women in Sophisticated Melodrama Camille Paglia,...

A Great White Hype: Gray Explores the Farce of the American Dream in Coming of Age...