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2016 Cannes Critics’ Panel Day 2: Guiraudie is Hungry Like the Wolf with “Staying Vertical”

The last time Alain Guiraudie was on the Croisette, it was pretty much unanimous that his Un Certain Regard selected and Best Director winning Stranger by the Lake should have been included in Lumiere theatre’s slate (in competition). This year, Guiraudie was granted (some say guaranteed) a walk up the red carpet for his seventh feature film, Staying Vertical. Produced by Sylvie Pialat and Benoît Quainon, this stars Damien Bonnard as Léo, features a wolf, assisted suicide, strange encounters, a melange of dreamworlds and nightmares and an overt explicit nature that this LGBT friendly auteur dabbles in. One of the only three filmmakers to make a first trip in the Comp section, The Hollywood Reporter’s Boyd van Hoeij who likens this to his 2009 film The King of Escape, he writes that the screenplay is loaded in “the power of suggestion and (possible) ellipses are key ingredients in getting audiences to think about the subterranean links between the characters and their relationships.” Comparatively, while Variety’s Owen Gleiberman appears vexed by unempathetic nature of the film, our jury was pleased with their first 8:30 a.m screening and mostly gave the film scores of 3 stars and above.

Check back with us twice daily for the latest grades (three times on Tuesday) and make sure to click on the grid below for a larger version.

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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