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Nana Ghana (White Rabbit)

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2018 NEXT Section Sundance Trading Card Series: #5. Nana Ghana (White Rabbit)

2018 NEXT Section Sundance Trading Card Series: #5. Nana Ghana (White Rabbit)

Eric Lavallee: Name me three of your favorite “2017 discoveries”
Nana Ghana: Joan Didion. Hamilton musical theater. The Office series. Charlottesville, Virginia.

Lavallee: In White RabbitSophia appears to be enarmored by the presence of your character – perhaps she suffers from revolving door syndrome. I was wondering if you could describe some of the quirks, or how she interprets the world around her?
Ghana: Sophia’s interpretation of the world around her is very whimsical, erratic and quizzical, she sees the world as her play ground, I believe her curious nature, makes her interesting as a modern woman but also an unpredictable artist.

Nana Ghana (White Rabbit)

Lavallee: In terms of casting of the character process, what were Daryl & Vivian adamant about in terms of how your character should physically look or hold herself?
Ghana: Daryl was very adamant about my character Victoria to embody the everyday LA girl, a woman who moves comfortably in her skin. She’s exudes a soft confidence and is very approachable.

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Nana Ghana (White Rabbit)

Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). In 2022, he was a New Flesh Juror for Best First Feature at the Fantasia International Film Festival. Current top films for 2023 include The Zone of Interest (Glazer), Inside the Yellow Cocoon Shell (Pham Thien An), Totem (Lila Avilés), La Chimera (Alice Rohrwacher), All Dirt Roads Taste of Salt (Raven Jackson).

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