At the American Film Festival in Wrocław, teams behind the projects selected for the U.S. in Progress—a festival industry event—pitched their films to potential buyers, film festival programmers, and Poland-based post-production companies. Under the guidance of Artistic Director Ula Śniegowska, the event acts as a matchmaking platform — think tinder-like linking between Polish post-production talent with American indie producers. Last year’s edition proved highly fruitful: several selections went on to make waves in the 2024 film festival circuit. We began the year with India Donaldson’s critical darling Good One preeming at Sundance and Cannes’ Directors’ Fortnight, where Tyler Taormina also screened Christmas Eve in Miller’s Point. Meanwhile, Cutter Hodierne’s Cold Wallet and Anu Vaila’s We Strangers were launched at SXSW, and Sarah Friedland’s Familiar Touch played like gangbusters in Venice, winning not one, not two, but three awards: Lion of the Future award for Best Debut, Best Director and the Best Actress awards.
This year, the outlook is similarly optimistic, with seven out of nine teams present to pitch their nearly-complete films. These projects are expected to follow in last year’s footsteps, aiming to get the final touch-ups before true picture lock and trying to nab premium film festival berths. Here are the projects and teams in attendance.