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Reygadas’ latest doesn’t remain ‘Silent’ at 50th Ariel Awards

Fifity is nifty for Carlos Reygadas and his Cannes-winning 3rd film Silent Light (Luz
Silenciosa)
. Winning in the top categories (best film, director,
supporting actress, cinematography
(Alexis Zabé) and original screenplay, this was the 50th edition of the annual Ariel Awards, a.k.a the
Mexican Oscars. Reygadas’ film is set in the Chihuaha state, community of Mennonites. Johan,
married to Esther, with seven sons from her, has been having a passionate love
affair with Marianne for 2 years. Deciding between two lives, and between two
women, is impossibile. He opens his heart to his friend, Zacaris and to his
father, a preacher, who sees it as the devil’s work. Neverthless, both of them
support him, pity him. And envy him.

Another big winner was Rigoberto Castañeda’s horror film KM 31 and the Ibero American Ariel went to XXY by Argentina’s Lucia Puenzo (this is receiving a domestic release by Film Movement sometime this summer). For a look at last night’s winner’s you can go to the official website and see pictures from the evening.

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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