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Cannes 2009 Day 8: Haneke Passes Down ‘The White Ribbon’ to Future Generations

It’s not the kids, but the adults who are lacking in moral fiber in Michael Haneke’s The White Ribbon, a picture that is a departure for a director who would normally be a little bit more savage with his characters.

It’s not the kids, but the adults who are lacking in moral fiber in Michael Haneke‘s The White Ribbon, a picture that is a departure for a director who would normally be a little bit more savage with his characters. Set in a small village where nothing goes unnoticed, this precursor to the WWI toils with the idea that the innocent are victim to iron hands. A late night screening of this b&w film provided many zzz’s for the tired festival goers, literally both sides and the back of me were counting sheep. Filmed briefly during the winter and mostly during the warmer months, the monotone quality of the picture allows subtitles of the multiple mysteries – its like a game of Clue with more set pieces. Look fo my full review coming soon.

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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