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Cannes Video Day 7: Derek Cianfrance’s Blue Valentine

After making a huge splash at Sundance, Derek Cianfrance’s Blue Valentine made a stop at Cannes this year as an official Un Certain Regard selected film. The Debussy theatre was packed, and at film’s end receive a fairly long standing-O type of applause – approaching the ten minute mark, which is usually reserved for exceptional films that strike a cord with the tough, mostly French audiences.

After making a huge splash at Sundance, Derek Cianfrance’s Blue Valentine made a stop at Cannes this year as an official Un Certain Regard selected film. The Debussy theatre was packed, and at film’s end receive a fairly long standing-O type of applause – approaching the ten minute mark, which is usually reserved for exceptional films that strike a cord with the tough, mostly French audiences. There was a slight change in the film’s official run-time, and in an interview I had with the filmmaker it was revealed that there has been some modifications made to the film – the kind that I didn’t notice. On a second viewing I cued more on how the filmmaker used his soundtrack of tunes, and the slow “tide” changes when the relationship between Ryan Gosling and Michelle Williams’ characters sours. Here is premiere night for the film —

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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