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Film Review: Housemaid, The

“Despite the sillier elements and not to mention an even more perplexing climax, there is an upside to the pic in terms of its aesthetic and some of the edgier elements describing the different posits between characters. With a Cannes label on it, this could be a surprise breakout film for the Korean filmmaker.”
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Housemaid, The


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“Despite the sillier elements and not to mention an even more perplexing climax, there is an upside to the pic in terms of its aesthetic and some of the edgier elements describing the different posits between characters. With a Cannes label on it, this could be a surprise breakout film for the Korean filmmaker.”

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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