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Film Review: Les Beaux Gosses (Beautiful Kids)

The anti-thesis of last year’s The Class, and comparably insignificant to Federico Veiroj’s Acné, unfortunately Les Beaux Gosses dumbs down this awkward passage in time by resorting to low grade, similar gross-out studio comedies specimen from Hollywood.

Les Beaux Gosses (Beautiful Kids)


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The anti-thesis of last year’s The Class, and comparably insignificant to Federico Veiroj’s Acné, unfortunately Les Beaux Gosses dumbs down this awkward passage in time by resorting to low grade, similar gross-out studio comedies specimen from Hollywood.

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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