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Film Review: Moon

Backed by convincingly sharp visuals, a Sam Rockwell who excels once again in one more awkward role and a script that in essence is dark, but is made accessible by some unexpected humor and a storyline that the average ipod owner can understand, Jones’ Moon wets our appetite and while he might not quench our thirst for something edgy or unique, there is enough working here to make for a film worth landing on.

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Moon


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Backed by convincingly sharp visuals, a Sam Rockwell who excels once again in one more awkward role and a script that in essence is dark, but is made accessible by some unexpected humor and a storyline that the average ipod owner can understand, Jones’ Moon wets our appetite and while he might not quench our thirst for something edgy or unique, there is enough working here to make for a film worth landing on.

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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