IFC find style and ‘Grace’ in Kalin’s Cannes pic

Tom Kalin's long awaited sophomore feature (a Cannes Director's Fortnight feature) Savage Grace has finally landed a domestic distribution deal  -apparently the folks over at IFC have been working on the some legal issues with the film that I described as “a poetic rendering of antithetical bourgeoisie distractions and self destruction. Daggers aimed from the eye level, brushes with nudity and plenty of polite social banter before heading into uncharted waters will guarantee that most viewers squirm”.

With the same sort of discomfort level as many of you might have felt with Happiness, this is based on the winning Mystery Writers of America in award for Best Fact Crimebook written by Natalie Robins and Steven M. L. Aronson, this tells the incredible true story of Barbara Daly, who married above her class to Brooks Baekeland (Moore), the dashing heir to the Bakelite plastics fortune. Beautiful, red-headed, charismatic, Barbara is still not a match for her well-born husband. The birth of the couple’s only child, Tony, rocks the uneasy balance in this marriage of extremes. Tony is a failure in his father’s eyes. As he matures and becomes increasingly close to his lonely mother, the seeds for a tragedy of spectacular decadence are sown. Spanning 1946 to 1972, the film unfolds in six acts. The Baekelands’ pursuit of social distinction and the glittering « good life » propels them across the globe. We follow their heady rise and tragic fall against the backdrop of locations including New York, Paris, Cadaques, Mallorca and London. While a period tragedy, the story is embued with contemporary significance, as well as humour, light and life.