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Review: Code Blue

“Violent, sterile, and ugly, one has to wonder what the filmmaker was hoping viewers would take away from this movie other than a few extra wrinkles in the forehead. Blue will likely only appeal to those who actively seek out gratuitous misanthropy in their entertainment.”

Code Blue


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“Violent, sterile, and ugly, one has to wonder what the filmmaker was hoping viewers would take away from this movie other than a few extra wrinkles in the forehead. Blue will likely only appeal to those who actively seek out gratuitous misanthropy in their entertainment.”

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Blake Williams is an avant-garde filmmaker born in Houston, currently living and working in Toronto. He recently entered the PhD program at University of Toronto's Cinema Studies Institute, and has screened his video work at TIFF (2011 & '12), Tribeca (2013), Images Festival (2012), Jihlava (2012), and the Pacific Film Archive in Berkeley. Blake has contributed to IONCINEMA.com's coverage for film festivals such as Cannes, TIFF, and Hot Docs. Top Films From Contemporary Film Auteurs: Almodóvar (Talk to Her), Coen Bros. (Fargo), Dardennes (Rosetta), Haneke (Code Unknown), Hsiao-Hsien (Flight of the Red Balloon), Kar-wai (Happy Together), Kiarostami (Where is the Friend's Home?), Lynch (INLAND EMPIRE), Tarantino (Reservoir Dogs), Van Sant (Last Days), Von Trier (The Idiots)

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