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Review: Midnight in Paris

Well over a decade ago, we acknowledged that Allen had lost his edge, or part of his arsenal of brushstrokes, or something, but in the meantime, he’s balanced his output between the daringly out-there, and the bizarrely vanilla.

Midnight in Paris


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Well over a decade ago, we acknowledged that Allen had lost his edge, or part of his arsenal of brushstrokes, or something, but in the meantime, he’s balanced his output between the daringly out-there, and the bizarrely vanilla.

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Blake Williams is an avant-garde filmmaker born in Houston, currently living and working in Toronto. He recently entered the PhD program at University of Toronto's Cinema Studies Institute, and has screened his video work at TIFF (2011 & '12), Tribeca (2013), Images Festival (2012), Jihlava (2012), and the Pacific Film Archive in Berkeley. Blake has contributed to IONCINEMA.com's coverage for film festivals such as Cannes, TIFF, and Hot Docs. Top Films From Contemporary Film Auteurs: Almodóvar (Talk to Her), Coen Bros. (Fargo), Dardennes (Rosetta), Haneke (Code Unknown), Hsiao-Hsien (Flight of the Red Balloon), Kar-wai (Happy Together), Kiarostami (Where is the Friend's Home?), Lynch (INLAND EMPIRE), Tarantino (Reservoir Dogs), Van Sant (Last Days), Von Trier (The Idiots)

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