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Review: Roméo Onze

“While this film manages to glean a moderate amount of pathos due to a quietly observed performance from lead, Ali Ammar, the distinction of showcasing an often unseen community really reiterates that coming of age stories, even for those disenfranchised with their individual communities, have similar coming of age traumas.”
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Roméo Onze


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“While this film manages to glean a moderate amount of pathos due to a quietly observed performance from lead, Ali Ammar, the distinction of showcasing an often unseen community really reiterates that coming of age stories, even for those disenfranchised with their individual communities, have similar coming of age traumas.”

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Los Angeles based Nicholas Bell is IONCINEMA.com's Chief Film Critic and covers film festivals such as Sundance, Berlin, Cannes and TIFF. He is part of the critic groups on Rotten Tomatoes, The Los Angeles Film Critics Association (LAFCA), the Online Film Critics Society (OFCS) and GALECA. His top 3 for 2021: France (Bruno Dumont), Passing (Rebecca Hall) and Nightmare Alley (Guillermo Del Toro). He was a jury member at the 2019 Cleveland International Film Festival.

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