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Review: The Iron Lady

“Streep is lively, precise, and inventive in her mimicry (much like Kenneth Branagh, the lone standout in the torturous ‘Marilyn,’ was with his take on Olivier) but ultimately The Company’s entertainment commodity finds its joys only in cheap sentiment, broad laughs, and packaged triumphs. Scenes are not constructed to explore the complex inner contradictions of a woman of power and strength, but only to illustrate simplistic feminist bromides and to repeat fatiguingly familiar melodrama tropes.”

The Iron Lady


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“Streep is lively, precise, and inventive in her mimicry (much like Kenneth Branagh, the lone standout in the torturous ‘Marilyn,’ was with his take on Olivier) but ultimately The Company’s entertainment commodity finds its joys only in cheap sentiment, broad laughs, and packaged triumphs. Scenes are not constructed to explore the complex inner contradictions of a woman of power and strength, but only to illustrate simplistic feminist bromides and to repeat fatiguingly familiar melodrama tropes.”

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Ryan Brown is a filmmaker and freelance writer living in Brooklyn, NY. He has an MFA in Media Arts from City College, CUNY. His short films GATE OF HEAVEN and DAUGHTER OF HOPE can be viewed here: vimeo.com/user1360852. With Antonio Tibaldi, he co-wrote the screenplay 'The Oldest Man Alive,' which was selected for the "Emerging Narrative" section of IFP's 2012 Independent Film Week. Top Films From Contemporary Film Auteurs: Almodóvar (Live Flesh), Assayas (Cold Water), Bellochio (Fists in the Pocket), Breillat (Fat Girl), Coen Bros. (Burn After Reading), Demme (Something Wild), Denis (Friday Night), Herzog (The Wild Blue Yonder), Leigh (Another Year), Skolimowski (Four Nights with Anna), Zulawski (She-Shaman)

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