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Review: Uncle Kent
Joe Swanberg’s latest feature, and first to screen at Sundance, is “classic” Swanberg. The filmmaker remains one of the only successful (arguably) “auteurs” to continue to make films in his own way rather than commercializing them. Polarizing as always, fans will love Uncle Kent, and the rest just won’t get why it is a movie at all. Swanberg is clearly content with this, and thankfully, he’s a pro at what he does.
Uncle Kent
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Joe Swanberg’s latest feature, and first to screen at Sundance, is “classic” Swanberg. The filmmaker remains one of the only successful (arguably) “auteurs” to continue to make films in his own way rather than commercializing them. Polarizing as always, fans will love Uncle Kent, and the rest just won’t get why it is a movie at all. Swanberg is clearly content with this, and thankfully, he’s a pro at what he does.
