Search results for "Miguel Gomes"
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The Conversation
The Conversation: Finding Foreigners
November 2, 2015Though there are many issues regarding the problematic process in deciding the roster of nominees for...
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The Conversation
The Conversation: To Cannes and Back
June 1, 2015Unfortunately, this year’s main competition line-up at the Cannes Film Festival ended up being something of...
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Film Festivals
2015 Directors’ Fortnight: Saulnier’s Green Room & Bidegain’s Les Cowboys Among “Dope” Selections
April 21, 2015Takashi Miike (Yakuza Apocalypse: The Great War Of The Underworld), Fernando León de Aranoa (A Perfect...
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The Conversation
The Conversation: One Never Cannes Tell… 2015 Cannes Film Fest Predictions
March 9, 2015With the world’s most prestigious film festival just around the corner, cineastes have been lasciviously salivating...
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Annual Top Films Lists
Top 100 Most Anticipated Foreign Films of 2015: #13. Maren Ade’s Toni Erdmann
January 9, 2015Toni Erdmann Director: Maren Ade // Writer: Maren Ade Though many be unfamiliar with her work,...
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Annual Top Films Lists
Most Anticipated Films for 2015: An Overview
March 24, 2014Last month, we unveiled our all-encompassing, most anticipated films for the current year in film. Now...
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Disc Reviews
Tabu | DVD Review
November 5, 2013Toying with narrative form seems to be director Miguel Gomes’s forte. Our Beloved Month Of August...
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Film Festivals
Tsai Ming-Liang, Cristi Puiu, Albert Serra & Philip Gröning Among Off-beat Offerings in TIFF’s Wavelengths
August 13, 2013Programmer Andrea Picard can do no wrong. From the compiled short and medium film offerings (see...
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Film Festivals
Stacked 2013 Venice Edition Includes Latest Miyazaki, Ki-Duk, Ming-liang, Dolan and Frederick Wiseman
July 25, 2013With still several films not yet announced for the behemoth Toronto Int. Film Festival, it appears...
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Film Award & Prize News
ICS Awards: Leos Carax’s Holy Motors Clear Favorite of 2012
February 11, 2013Holy Motors might have left Cannes empty-handed but Leos Carax free-form shape-shifter of a film was...
