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Strand Insures a Fairy Tale Ending for ‘Bluebeard’

I'd bet that workaholic Catherine Breillat didn't take much "vaca" time off between The Last Mistress and her lastest film. This would explain why I was unaware of Bluebeard's existence up until it was announced for Berlin back in February.

La Danse des Renards (Wild Foxes) | 2025 Cannes Film Festival Review

Fox on the Run: Carnoy Explores Bruised Masculinity Following the incestuous liaison of Catherine Breillat’s Last Summer (2023), Samuel Kircher (son of Irene Jacob) braces...

2024 Eurimages: Maryam Touzani, Emily Atef, May el-Toukhy & Kaouther Ben Hania Land Coin

The results of the third Eurimages Project Evaluation Session of 2024 have been unveiled and among the batch of filmmakers we find the likes...

Last Summer (L’Été dernier) | Review

One Deadly Summer: Breillat Agitates Another Sexual Taboo Suddenly, last summer, a successful lawyer who has it all risks throwing her life away with an...

Interview: Léa Drucker – Last Summer (L’été dernier)

She was pulled from obscurity (or non-retirement since her last feature was 2013's Abuse of Weakness) when Saïd Ben Saïd optioned the rights to...

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