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Pompei: Below the Clouds | Review
March 5, 2026
What Does that Nature Say to You | Review
February 26, 2026
2026 Berlin International Film Festival – Checklist of Our Coverage
February 26, 2026
Dreams | Review
February 25, 2026
Yo (Love Is a Rebellious Bird) | 2026 Berlin Intl. Film Festival Review
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Interview: Scandar Copti – A Childhood (Work in Progress)
February 27, 2026
Interview: Akinola Davies Jr. – My Father’s Shadow
February 11, 2026
Interview: Hasan Hidi – The President’s Cake
February 6, 2026
Interview: Óliver Laxe – Sirāt
February 6, 2026
Interview: Óliver Laxe – Sirāt (2025 Marrakech International Film Festival)
February 6, 2026
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Benjamín Naishtat’s ‘Glaxo’ – Everything We Know So Far …
March 7, 2026
Michel Franco’s ‘Circles’ – Everything We Know So Far …
February 28, 2026
Hindsight is 2026: Focus on the Ten U.S. Docu Comp Offerings for Buyers – 2026 Sundance Film Festival
January 20, 2026
Hindsight is 2026: Focus on the Ten U.S. Dramatic Comp Offerings for Buyers – 2026 Sundance Film Festival
January 19, 2026
Nathalie Álvarez Mesén’s ‘The Wolf Will Tear Your Immaculate Hands’ – Everything We Know So Far …
January 17, 2026
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2026 César Awards: Carine Tardieu’s ‘The Ties That Binds Us’ Lands Best Film
February 26, 2026
You BETcha!: ‘Yellow Letters’, ‘Rose’ & ‘Queen at Sea’ are the Golden Bear Frontrunners
February 13, 2026
2026 Oscars: ‘Sinners’ Lands Most Noms, but ‘One Battle After Another’ & ‘Sentimental Value’ are the Frontrunners
January 22, 2026
2026 Oscars: Trier, Filho, Panahi, Laxe & Hania Nominated for Best International Feature Film
January 22, 2026
You BETcha!: ‘Josephine’, ‘Carousel’ & ‘Union County’ Are Top Contenders for Sundance’s U.S. Dramatic Comp Grand Jury Prize
January 21, 2026
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Pompei: Below the Clouds | Review
March 5, 2026
What Does that Nature Say to You | Review
February 26, 2026
2026 Berlin International Film Festival – Checklist of Our Coverage
February 26, 2026
Dreams | Review
February 25, 2026
Yo (Love Is a Rebellious Bird) | 2026 Berlin Intl. Film Festival Review
February 23, 2026
American Independent Films
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Interview: Scandar Copti – A Childhood (Work in Progress)
February 27, 2026
Interview: Akinola Davies Jr. – My Father’s Shadow
February 11, 2026
Interview: Hasan Hidi – The President’s Cake
February 6, 2026
Interview: Óliver Laxe – Sirāt
February 6, 2026
Interview: Óliver Laxe – Sirāt (2025 Marrakech International Film Festival)
February 6, 2026
American Independent
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Top 3 Critics' Picks
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Benjamín Naishtat’s ‘Glaxo’ – Everything We Know So Far …
March 7, 2026
Michel Franco’s ‘Circles’ – Everything We Know So Far …
February 28, 2026
Hindsight is 2026: Focus on the Ten U.S. Docu Comp Offerings for Buyers – 2026 Sundance Film Festival
January 20, 2026
Hindsight is 2026: Focus on the Ten U.S. Dramatic Comp Offerings for Buyers – 2026 Sundance Film Festival
January 19, 2026
Nathalie Álvarez Mesén’s ‘The Wolf Will Tear Your Immaculate Hands’ – Everything We Know So Far …
January 17, 2026
IONCINEPHILE
IndieSponge TV
FYC (Awards!)
You Betcha!
2026 César Awards: Carine Tardieu’s ‘The Ties That Binds Us’ Lands Best Film
February 26, 2026
You BETcha!: ‘Yellow Letters’, ‘Rose’ & ‘Queen at Sea’ are the Golden Bear Frontrunners
February 13, 2026
2026 Oscars: ‘Sinners’ Lands Most Noms, but ‘One Battle After Another’ & ‘Sentimental Value’ are the Frontrunners
January 22, 2026
2026 Oscars: Trier, Filho, Panahi, Laxe & Hania Nominated for Best International Feature Film
January 22, 2026
You BETcha!: ‘Josephine’, ‘Carousel’ & ‘Union County’ Are Top Contenders for Sundance’s U.S. Dramatic Comp Grand Jury Prize
January 21, 2026
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Exclusive 1st Look: Poster One Sheet for Mark Jackson’s This Teacher
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We have the exclusive first look at the poster one sheet for Mark Jackson's award-winning This Teacher --- a Grand Jury prize winner at...
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Jean Labadie is a name which perhaps remains a tad obscured despite his formidable influence on the French film industry. In 1986, Labadie founded...
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Although we have another facetiously titled Michael Haneke film to ring in the New Year with, it is a decidedly unhappy end considering the...
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The Pleasure Principle: Escalante Makes a Monster Mash with Distinctive Social Drama The shadow of Andrzej Zulawski’s infamous erotic creature feature/divorce melodrama Possession (1981) looms...
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