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We Are the Flesh | Review

Live Flesh: Minter’s Perverts the Shadows in the Cave with Delirious Debut Director Emiliano Rocha Minter (who was the still photographer on Gerardo Naranjo’s 2011...

The Conversation: Cinema Italiano – 2016 Venice Film Festival Predictions

Looking towards the Lido, we’re just over three months away before the fourth quarter Fall Festival circuit kick off, and the final prestigious competition...

The Conversation: One Never Cannes Tell – The 2016 Edition

Tis the season for fevered wish lists and constantly fluctuating prognostications concerning the soon to be revealed 2016 program at the Cannes Film Festival....

Neon Bull: Carlos Reygadas to Mount “Donde nace la vida”

We can add one more iron to the Cannes fire...except this one will likely target the 2017 edition. Obviously nothing is official until the April announcement, but Jaime...

A Cannes Opener: 2016 Cannes Film Festival Predictions

A furious slew of titles in the works would seem to prophesize a robust main competition slate for Cannes 2016. Though our initial list...

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Caught by the Tides | Review

The Tide is High: Zhangke Splices Thwarted Romance Across...

Black Tea | Review

Spill the Tea: Sissako Flounders with Tepid Brew The level...

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